Stills from Wall-E (Click for larger image)

On the Blu-ray

Sleeping Beauty was the last and most lavish of Walt Disney's animated fairy tales. He told the artists not to hurry and to give him "a moving illustration": The film required almost four and one-half years and one million finished drawings. Instead of the 19th century storybook illustrations that had influenced the look of Snow White and Pinocchio, the artists adapted the flattened perspective and jewel-like colors of 15th century French illuminated manuscripts. The results remain unmatched for sheer visual opulence. However, Sleeping Beauty suffers from a weak story: the vision of an ageless princess slumbering in a vine-shrouded tower was replaced with elements of Snow White and a boy-meets-girl musical. The evil Maleficent and the three Good Fairies (Flora, Fauna, and Merryweather) dominate the film, rather than Princess Aurora and Prince Philip. Sleeping Beauty was originally released in 70mm, and the Blu-ray edition restores the film to its original splendor. (Many earlier releases trimmed the wide-screen images and/or muted the glowing palatte.) The Bonus DVD looks good on a flat screen monitor, but it pales in comparison to the richness of the Blu-ray. In addition to the commentaries and a making-of documentary, the set includes myriad extras that vary widely in quality. Nostalgia buffs will enjoy the recreation of the old Sleeping Beauty's Castle attraction in Disneyland, and the TV program "Four Artists Paint One Tree" provides a welcome showcase for key talents from the film. But the CG animation of the dragon and the voice imitations of the Good Fairies fail to capture the magic of the originals in the "Dragon Encounter"; the "Maleficent's Challenge Game"--a hi-tech Twenty Questions--sounds only vaguely like the redoubtable sorceress. The BD-Live features require an awful lot of bother: after wading through (or ignoring) 130 screens of legalese, participants must enter their Social Security number or other personal information in the drawn-out sign-on process. Once that's finally done, viewers can send special messages to pop up during the film, chat online with others who are watching, and view it in synch with others. The question is whether or not you want to. (Rated G: violence) --Charles Solomon




Stills from Sleeping Beauty (Click for larger image)

It wasn't until he got to the Congo that the director realized what a funny picture The African Queen was going to be, thanks to the odd coupling of Bogie and Kate: "One brought out a vein of humor in the other, and this comic sense, which had been missing from the book and screenplay, grew out of our day-to-day shooting." Within the gunwales of a not-very-large boat, Huston managed to devise myriad ways to keep his two leading characters on separate visual planes even as circumstance and tender emotional urgency conspired to push them together. This was Huston's first feature film in Technicolor, and the peerless Jack Cardiff (The Red Shoes) was there to shoot it. Unfortunately, neither of them could do anything about the process-screen technology needed for, and glaringly inadequate to, the sequence of Bogart and Hepburn shooting the rapids--just about the only lapse in an enchanting fairy tale for adults. The script is credited to Huston and James Agee; the uncredited Peter Viertel, summoned to the African locations to write some additional material, would later fictionalize the experience as White Hunter, Black Heart, a savage roman à clef. --Richard T. Jameson